In conjunction with her first exhibition with Gagosian Gallery New York, the catalogue documents the exhibition and related recent works, and introduces readers to several of her important in-situ paintings.

The catalogue starts with the painting details, extracted from a part of actual size of her painting, emphasizing her bold use of color and stenciled shapes forming luxuriant, overlapping, and cascading imagery. Renown for her use of a spray gun and dissssociation of the artistic act from the hand, this industrial form is reflected in the layout and typography, which influenced by German minimalism/industrial style.

Enclosed in a cardboard diecut slipcase that mirrors Grosse’s process of painting often with the aid of stencils made from cardboard.